Joanne Robertson

A landscape shredded
Molly Rose Lieberman

(Pre-order Now)

Artist’s Relief
Emma Obrietan

Dear Beast
Carole Gibbons

Muses
Carole Gibbons

Galerie Mirages
Group Exhibition

To M.
Miriam Stoney,
Miriam Yammad

Dreams of the everyday
Andrew Cranston,
Winifred Nicholson

Pegasus
Carole Gibbons

Self-Portrait
Miriam Yammad

Not Quite Good Enough to be on TV Melodies
Joanne Robertson

Haven
Group Exhibition
(White Columns Online)

Free The Innovator
Theo Christy

Personicx
Theo Christy

The September Issue
Bruno Zhu

Andrew Cranston

Carole Gibbons

Joanne Robertson
Not Quite Good Enough to be on TV Harmonies

Section-sewn open spine softcover
305 x 215 mm
88 pages
ISBN 978-1-7394251-5-9
£28.00

That’s the thing about music and abstract painting […] There isn’t an image that’s fixed and I’m really interested in that. There were times when the narrative of my songs felt much more inspired by my paintings, and maybe my paintings inspired some of the songs, but now they’re really in harmony together.
—Joanne Robertson (Paper Magazine)

Not Quite Good Enough to be on TV Harmonies is Robertson's ode to the form of the guitar: a suite of new drawings rendered in oil pastel, and directly connected to her new large scale paintings. In the artist's words: “Living around guitars means they are often just sat in your peripheral vision, curving, almost bent over in the corner of a room.” The work's range is a testament to the instrument's potential – its relation to the body, performance and experimentation, and its position as an object of intimacy and expression. The cover of the book features the original lyrics to Blue Car, from the 2023 album of the same name.

Joanne Robertson is a musician, painter and poet. She collaborates regularly with her friends, including Sidsel Meineche Hansen, Dean Blunt, Byron Coley and Jasper Baydala (Kool Music). Her painting and music both form from improvisatory moments of expression. Robertson is based in Glasgow and is represented by Édouard Montassut, Paris and Company, New York.

Recent solo exhibitions include those at Company Gallery, New York; Gregor Staiger, Milan; Edouard Montassut, Paris; Mother Culture, Berlin; Gallery Malmo, Edinburgh; and Svetlana, New York. Her work has been included in group exhibitions at Kunsthalle Charlottenborg, Copenhagen; Triest, New York; Svetlana, New York; and FRI ART Kunsthalle, Fribourg. Robertson is co-author of Apesma (2007), Unicorns V’s Mermaids (2010), Songbook 71 (2018) and Songbook 79 (2019), each made in collaboration with Byron Coley (Bad Taste Press/Tenderbooks).

U.S. customers are advised to order directly via our distributor Asterism in order to avoid increased shipping charges due to recently introduced tariffs.

Colophon

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