Dean Sameshima
Emma Obrietan
Dean Sameshima
Joanne Robertson
Molly Rose Lieberman
Molly Rose Lieberman
Artist’s Relief
Emma Obrietan
Emma Obrietan
Dear Beast
Carole Gibbons
Carole Gibbons
Muses
Carole Gibbons
Carole Gibbons
Galerie Mirages
Group Exhibition
Group Exhibition
To M.
Miriam Stoney,
Miriam Yammad
Miriam Stoney,
Miriam Yammad
Andrew Cranston,
Winifred Nicholson
Carole Gibbons
Self-Portrait
Miriam Yammad
Miriam Yammad
Joanne Robertson
Haven
Group Exhibition
(White Columns Online)
Group Exhibition
(White Columns Online)
Free The Innovator
Theo Christy
Theo Christy
Personicx
Theo Christy
Theo Christy
The September Issue
Bruno Zhu
Bruno Zhu
Andrew Cranston
Carole Gibbons
Easy Preservation
Opening reception: Thursday, 14 May, 5–8 pm
The Shop, Sadie Coles HQ, 62 Kinglsy Street, London
The exhibition’s title, ‘Easy Preservation’ is drawn from the press communication for ‘Stop Painting’, an exhibition held at Fondazione Prada, Venice in 2021. The phrase refers at once to the critique of painting as a commodity – one of five ruptures in the history of painting identified by its curator, artist Peter Fischli – while acknowledging art’s capacity to function as cultural record or artefact.
Obrietan’s sources are typically vernacular, user-generated images, each researched, re-skilled and charged by the artist in a process of distortion which Pieroni argues “ultimately corresponds to a contemporary world whose own systems and structures have been stressed and bent out of shape.”²
While screen and lens-based media are central to this destabilization, Obrietan’s approach remains decidedly painterly, speaking above all to a reverence for craft and humanity.
1 Pieroni, P. 2026. Artist’s Relief. [Exhibition text]. 5b, Glasgow, 31 January – 21 March, 2026.
2 Ibid.
Gardena Boulevard, Post Office, 2026
Oil on canvas
95 × 170 cm
Gardena Boulevard, Post Office, 2026 (detail)
A Life Well Lived, 2026
Oil on canvas
120 × 120 cm
A Life Well Lived, 2026 (detail)
Colophon
Studio 0/1
43 Virginia Street
Glasgow
G1 1TS
© 2026