Molly Rose Lieberman
Molly Rose Lieberman
Artist’s Relief
Emma Obrietan
Emma Obrietan
Dear Beast
Carole Gibbons
Carole Gibbons
Muses
Carole Gibbons
Carole Gibbons
Galerie Mirages
Group Exhibition
Group Exhibition
To M.
Miriam Stoney,
Miriam Yammad
Miriam Stoney,
Miriam Yammad
Andrew Cranston,
Winifred Nicholson
Carole Gibbons
Self-Portrait
Miriam Yammad
Miriam Yammad
Joanne Robertson
Haven
Group Exhibition
(White Columns Online)
Group Exhibition
(White Columns Online)
Free The Innovator
Theo Christy
Theo Christy
Personicx
Theo Christy
Theo Christy
The September Issue
Bruno Zhu
Bruno Zhu
Andrew Cranston
Carole Gibbons
A landscape was shred
Opening reception: Friday, 27 February, 6–8 pm
20 Albert Road, Glasgow
Lieberman is a painter, sculptor, poet, archivist, and lifelong New Yorker. These monikers serve as eclectic filters on her view of the world, navigating and abstracting grids and roadmaps with beguilement for the structures of daily life. So, we find ourselves in a landscape, shredded, prismatically scattered into scenes of colour and text that could be anywhere along the way out from winter into spring.
Actions in the artist’s world tend to be reactions to things which find their way into the studio—hand-me-down frames are often a cornerstone of her painting process, prescribing the limits of the playing field for surface experiments in color and sheen. Some canvases were custom-made for old frames they never sat inside, and other panels rest within a matching set of walnut frames: one frontwards and rounded, the other backwards and flat-faced, revealing its H-shaped fasteners at each corner joint, and lined along the rabbet with a foil tape. The same specular tape backs the gaps between a triptych of paintings on paper that are just a touch too short for the old aluminium frames they were paired with. The metallic foil’s quiet background act syncs up with lustrous moments throughout the paintings: strokes of iridescent champagne and interference green that reserve themselves in photos, only to catch the eye in person, where light and movement interplay.
Of course, the gallery is a frame, too. Along its edges, Lieberman has configured life-size matting in the form of glimmering upholstered cushions, designed for the stylish comfort of visitors and her newborn books. Atop shelves and window benches, these zabuton, together with a structural column painted silver, extend her artistic grammar to architecture, tailoring the room on Albert Road to the specificities of the work and vice versa.
A landscape, shredded, 2026
Watercolour, paper, marker, and pencil on paper in artist’s frame
31 × 127 cm
I can see the moon from where you stand, 2026
Acrylic, flashe, marker and paper on panel in artist’s frame
34 × 40 cm
Companion Peace, 2025
Coloured pencil, gouache and collage on vellum in artist's frame
25 × 35 cm
40 × 50 cm (framed)
Landscape inside a square, 2025
Oil and flashe on linen in artist’s frame
66 × 67 cm
Sift/sort, 2025
Acrylic, watercolour and paper on board in artist's frame
34 × 40 cm
Passionflower, 2025
Oil and flashe on linen in artist’s frame
66 × 67 cm
I saw a hawk with her babies, I saw 2, 2026
Flashe, acrylic, canvas on panel in artist’s frame
34 × 40 cm
Colophon
Studio 0/1
43 Virginia Street
Glasgow
G1 1TS
© 2026